Mimi Cherono Ng’ok
Born in 1983, Mimi Cherono Ng’ok is a Kenyan photographer, based in Nairobi. In 2006 she completed a Bachelor of Arts degree in Fine Arts from the University of Cape Town. With support from the Edward Ruiz photography mentorship award, Cherono completed a photographic series on African immigrants living in South Africa and had a solo exhibition at the Market Photo Workshop gallery in Johannesburg and Maputo. She has participated in exhibitions in Cape Town, Nairobi, Atri (Italy), Tarifa (Spain) and Berlin. In 2011, Cherono won 1st place in the PhotoAfrica contest for her photograph ‘Self-portrait.’ In 2010 she was commissioned by the African Arts Institute in Cape Town, to support the publication ‘Voices, African Artists living and working in Cape Town; her photographs are included with a compilation of testimonials documenting refugees artists living in South Africa. Recently, she was selected as a 2013 Sacatar fellow in Bahia, Brazil.
Born in 1983, Mimi Cherono Ng’ok is a Kenyan photographer, based in Nairobi. In 2006 she completed a Bachelor of Arts degree in Fine Arts from the University of Cape Town. With support from the Edward Ruiz photography mentorship award, Cherono completed a photographic series on African immigrants living in South Africa and had a solo exhibition at the Market Photo Workshop gallery in Johannesburg and Maputo. She has participated in exhibitions in Cape Town, Nairobi, Atri (Italy), Tarifa (Spain) and Berlin. In 2011, Cherono won 1st place in the PhotoAfrica contest for her photograph ‘Self-portrait.’ In 2010 she was commissioned by the African Arts Institute in Cape Town, to support the publication ‘Voices, African Artists living and working in Cape Town; her photographs are included with a compilation of testimonials documenting refugees artists living in South Africa. Recently, she was selected as a 2013 Sacatar fellow in Bahia, Brazil.
Mimi Cherono Ng’ok
• CV •→ I am home
ISLANDS OF: BETWEEN
[ CITRACIT ]
[ I am home ]
[ Narrations of Flights ]
[ Oblique ]
[ Palestinian Dictionary ]
[ Pilgrimages ]
[ Post Mortem ]
[ Sound Tracking ]
[ The Hours that Hold the Form (A Couple of Days in Portbou) ]
[ The Tongued Tongues ]
ARCHIPELAGO OF BETWEEN
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FEATURED THEME ON CITY SHARING
EL MATAM EL MISH MASRY
by ASUNCION MOLINOS GORDO
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This project is an instrument for common critical analysis to help understand the reasons behind Egyptians’ diminishing …
by ASUNCION MOLINOS GORDO
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This project is an instrument for common critical analysis to help understand the reasons behind Egyptians’ diminishing …
LETTERS TO FRITZ AND PAUL
by INAS HALABI
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The project Letters to Fritz and Paul focuses on the expeditions of the Swiss cousins, lovers and scientists, Fritz and …
by INAS HALABI
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The project Letters to Fritz and Paul focuses on the expeditions of the Swiss cousins, lovers and scientists, Fritz and …
MODERN LEAVES
by SARAH BURGER
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The planned modern city of Brasilia attracted me since a long time. Her defined shape, location and function proceded he …
by SARAH BURGER
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The planned modern city of Brasilia attracted me since a long time. Her defined shape, location and function proceded he …
CITRACIT
by ADRIEN GUILLET
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Youri Telliug talks with the artist Adrien Guillet about his project Citracit
Youri Telliug - What is Citracit …
by ADRIEN GUILLET
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Youri Telliug talks with the artist Adrien Guillet about his project Citracit
Youri Telliug - What is Citracit …
NARRATIONS OF FLIGHTS
by NIGIST GOYTOM
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In 2013 more than 45 million people have been forced to leave their homes. This amounts to the biggest number of refugees …
by NIGIST GOYTOM
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In 2013 more than 45 million people have been forced to leave their homes. This amounts to the biggest number of refugees …
A RUG - POST-ORIENTALISM
by SULAFA HIJAZI
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The on going debate on Arab identity and its (cultural) representation is strongly shaped by Edward Saidʼs formative …
by SULAFA HIJAZI
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The on going debate on Arab identity and its (cultural) representation is strongly shaped by Edward Saidʼs formative …
WAM _ WORLD AGRICULTURAL MUSEUM
by ASUNCION MOLINOS GORDO
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WAM is a site-specific work that uses the historical trope of the cabinet of curiosities to explore the introduction of …
by ASUNCION MOLINOS GORDO
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WAM is a site-specific work that uses the historical trope of the cabinet of curiosities to explore the introduction of …
MORE CONTRIBUTIONS BY THE FOLLOWING
A
[ Akram Al Halabi ]
B
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[ Hannes Brunner ]
[ Sarah Burger ]
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[ Erik Dettwiler ]
[ Ala’ Diab ]
E
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[ Mohamed Elshahed ]
[ Fawzy Emrany ]
F
[ forget 2 forget ]
[ Abrie Fourie ]
[ Anselmo Fox ]
G
[ Lamya Gargash ]
[ A Gentil Carioca ]
[ Heiner Goebbels ]
[ Malak Gomaa ]
[ Nigist Goytom ]
[ Adrien Guillet ]
H
[ Inas Halabi ]
[ Here I Stand ]
[ Sulafa Hijazi ]
I
[ Saba Innab ]
K
[ Ulrike Kuschel ]
L
[ Gabriela Löffel ]
[ Heinrich Lüber ]
[ Christin Lahr ]
[ Mariann Landolt ]
[ Jason Larkin ]
[ Björn Larsson ]
[ Emanuel Licha ]
[ Marcelo Lima ]
M
[ Made In Musina ]
[ Laura Martin ]
[ moddr_ ]
[ Naeem Mohaiemen ]
N
• Mimi Cherono Ng’ok •
[ Rayelle Niemann ]
O
P
[ Pilgrimages ]
[ Silvia Popp ]
R
[ Youssef Rakha ]
S
[ Raeda Saadeh ]
[ Lina Selander ]
[ Lerato Shadi ]
[ Bahia Shehab ]
[ stadt.labor ]
[ Syria _ files ]
T
[ Treibsand ]
U
[ urbaninform ]
V
[ Laurence Vale ]
[ Costa Vece ]
W
[ Lee Wen ]
Z
[ Margot Zanni ]
[ Michel Zayat ]