Sulafa Hijazi
Sulafa Hijazi is a Visual artist, in addition to her art work as an illustrator, Hijazi began her career as a writer and director of animation TV series and other media and films production.
Born in 1977, Damascus–Syria
She studied at the Adham Ismail Centre for Fine Arts and the Higher Institute of the Dramatic Arts in Syria, where she majored in Dramatic Studies.
S.Hijazi began her professional career 1997 as a writer and director of animation TV series and other media and films production with a particular focus on children education and social development.
Her productions include different types of animation, live drama, puppet shows, documentaries, print media, multimedia, and a host of conceptual media campaigns.
At the beginning of 2010 she established “blue.dar” a digital art production house based in the Middle East.
Hijazi has received more than 12 awards for her work, among them the golden prize in (Hollywood, Russia, India, Cairo, Iran..) for her latest feature animation The Jasmine Birds.
Sulafa Hijazi is a Visual artist, in addition to her art work as an illustrator, Hijazi began her career as a writer and director of animation TV series and other media and films production.
Born in 1977, Damascus–Syria
She studied at the Adham Ismail Centre for Fine Arts and the Higher Institute of the Dramatic Arts in Syria, where she majored in Dramatic Studies.
S.Hijazi began her professional career 1997 as a writer and director of animation TV series and other media and films production with a particular focus on children education and social development.
Her productions include different types of animation, live drama, puppet shows, documentaries, print media, multimedia, and a host of conceptual media campaigns.
At the beginning of 2010 she established “blue.dar” a digital art production house based in the Middle East.
Hijazi has received more than 12 awards for her work, among them the golden prize in (Hollywood, Russia, India, Cairo, Iran..) for her latest feature animation The Jasmine Birds.
Sulafa Hijazi
• CV •→ on going
→ A Rug - Post-orientalism
RELATED WEB SITES
→ review “Animated Images”
→ artist’ s website
ISLANDS OF: A DWELLING IS…
[ A Rug - Post-orientalism ]
[ Cairo Divided ]
[ City of Events: a Close Look at Al Abdali Bus Terminal and Beyond ]
[ DADA Houses & Bucharest Strip ]
[ DIWAN ]
[ Die letzte Buche - The last beech ]
[ Leerstand ]
[ Model Citizens ]
[ Mukhattat mabdaee lilmustaqbal—Blueprint of the Future ]
[ Presence ]
[ Psychogeography ]
[ R I C O R S O ]
[ Reaching Boundaries ]
[ up the hill down the hill - Bird Cages - an installation ]
ARCHIPELAGO OF A DWELLING IS…
[ leave a comment ]
FEATURED THEME ON CITY SHARING
EL MATAM EL MISH MASRY
by ASUNCION MOLINOS GORDO
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This project is an instrument for common critical analysis to help understand the reasons behind Egyptians’ diminishing …
by ASUNCION MOLINOS GORDO
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This project is an instrument for common critical analysis to help understand the reasons behind Egyptians’ diminishing …
LETTERS TO FRITZ AND PAUL
by INAS HALABI
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The project Letters to Fritz and Paul focuses on the expeditions of the Swiss cousins, lovers and scientists, Fritz and …
by INAS HALABI
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The project Letters to Fritz and Paul focuses on the expeditions of the Swiss cousins, lovers and scientists, Fritz and …
MODERN LEAVES
by SARAH BURGER
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The planned modern city of Brasilia attracted me since a long time. Her defined shape, location and function proceded he …
by SARAH BURGER
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The planned modern city of Brasilia attracted me since a long time. Her defined shape, location and function proceded he …
CITRACIT
by ADRIEN GUILLET
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Youri Telliug talks with the artist Adrien Guillet about his project Citracit
Youri Telliug - What is Citracit …
by ADRIEN GUILLET
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Youri Telliug talks with the artist Adrien Guillet about his project Citracit
Youri Telliug - What is Citracit …
NARRATIONS OF FLIGHTS
by NIGIST GOYTOM
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In 2013 more than 45 million people have been forced to leave their homes. This amounts to the biggest number of refugees …
by NIGIST GOYTOM
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In 2013 more than 45 million people have been forced to leave their homes. This amounts to the biggest number of refugees …
A RUG - POST-ORIENTALISM
by SULAFA HIJAZI
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The on going debate on Arab identity and its (cultural) representation is strongly shaped by Edward Saidʼs formative …
by SULAFA HIJAZI
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The on going debate on Arab identity and its (cultural) representation is strongly shaped by Edward Saidʼs formative …
WAM _ WORLD AGRICULTURAL MUSEUM
by ASUNCION MOLINOS GORDO
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WAM is a site-specific work that uses the historical trope of the cabinet of curiosities to explore the introduction of …
by ASUNCION MOLINOS GORDO
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WAM is a site-specific work that uses the historical trope of the cabinet of curiosities to explore the introduction of …
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