Family Photo Album
Family photos are taken on special occasions to commemorate unique gatherings. Professionally produced they find their place on shelves, bedside tables, in albums, cardboard boxes, old biscuit tins - symbols of belonging and nostalgia.
Clothes, haircuts, surroundings and facial expressions indicate traces of time and the circumstances in which the photos were taken. Repeatedly taken photographs at loose intervals show evidence of the flux of time.
A juxtaposition of a portrait of members of a Gazan family in the 70s with a portrait of a family from Gaza in 2007 should indicate the course of time.
It does indeed, yet it tells about the image (artificial representation, stemming from imitari, to copy, to imitate) in the sense of a “public impression”. Stereotypes conceived from the outside and projected onto a people might change an “image” into reality.
photography 1 by unknown, Gaza 1976
photography 2 by Fawzy Emrany, Gaza 2007
text by Rayelle Niemann, 2008
OTHER PROJECTS ON CITYSHARING
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→ face to face
[ Border Farm Project ]
[ body in context I ]
[ body in context II ]
[ Citizen ]
[ Clothing Theory: Heinrich Lüber and Architecture ]
• Family Photo Album •
[ face to face ]
[ Gefunden — Found ]
[ Giving young Kosovo Albanians a face ]
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[ Journey of a Yellow Man ]
[ Letters To Fritz and Paul ]
[ Neo_Celebration ]
[ Pain is Inevitable ]
[ Permanent Breakfast ]
[ Stammer - A Lecture in Theory ]
[ Treibsand ]
[ T’adaad i-sseneen—Counting Years ]
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