Silvia Popp
Silvia Popp situates art as an ongoing process of investigations, which works by communication and exchange. Art opens, whether as a metaphor or concrete action, perceptions, opportunities and needs for action.
The artist is interested in specific, physical or metaphorical places and their conditions. Place as space, as dimension - place as a community, as a network, as a discourse – place as a position, a status as an impulse.
What kind of questions, frictions and contradictions include places?
Through on-site interaction a process starts and the social-economic values and systems are being questioned, the discourse with the audience begins.
Since 2009: Member of art collective STUDIO ACTION
2006-2010: Studies of Fine Art, F+F School of Art and Media design Zurich
2009: Exchange MFA Art, eca Edinburgh college of Art
2003-2005: Pre-Studies of Fine Art Zurich University of the Arts
Silvia Popp situates art as an ongoing process of investigations, which works by communication and exchange. Art opens, whether as a metaphor or concrete action, perceptions, opportunities and needs for action.
The artist is interested in specific, physical or metaphorical places and their conditions. Place as space, as dimension - place as a community, as a network, as a discourse – place as a position, a status as an impulse.
What kind of questions, frictions and contradictions include places?
Through on-site interaction a process starts and the social-economic values and systems are being questioned, the discourse with the audience begins.
Since 2009: Member of art collective STUDIO ACTION
2006-2010: Studies of Fine Art, F+F School of Art and Media design Zurich
2009: Exchange MFA Art, eca Edinburgh college of Art
2003-2005: Pre-Studies of Fine Art Zurich University of the Arts
Silvia Popp
• CV •→ Leerstand
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ISLANDS OF: A DWELLING IS…
[ A Rug - Post-orientalism ]
[ Cairo Divided ]
[ City of Events: a Close Look at Al Abdali Bus Terminal and Beyond ]
[ DADA Houses & Bucharest Strip ]
[ DIWAN ]
[ Die letzte Buche - The last beech ]
[ Leerstand ]
[ Model Citizens ]
[ Mukhattat mabdaee lilmustaqbal—Blueprint of the Future ]
[ Presence ]
[ Psychogeography ]
[ R I C O R S O ]
[ Reaching Boundaries ]
[ up the hill down the hill - Bird Cages - an installation ]
ARCHIPELAGO OF A DWELLING IS…
[ leave a comment ]
FEATURED THEME ON CITY SHARING
EL MATAM EL MISH MASRY
by ASUNCION MOLINOS GORDO
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This project is an instrument for common critical analysis to help understand the reasons behind Egyptians’ diminishing …
by ASUNCION MOLINOS GORDO
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This project is an instrument for common critical analysis to help understand the reasons behind Egyptians’ diminishing …
LETTERS TO FRITZ AND PAUL
by INAS HALABI
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The project Letters to Fritz and Paul focuses on the expeditions of the Swiss cousins, lovers and scientists, Fritz and …
by INAS HALABI
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The project Letters to Fritz and Paul focuses on the expeditions of the Swiss cousins, lovers and scientists, Fritz and …
MODERN LEAVES
by SARAH BURGER
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The planned modern city of Brasilia attracted me since a long time. Her defined shape, location and function proceded he …
by SARAH BURGER
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The planned modern city of Brasilia attracted me since a long time. Her defined shape, location and function proceded he …
CITRACIT
by ADRIEN GUILLET
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Youri Telliug talks with the artist Adrien Guillet about his project Citracit
Youri Telliug - What is Citracit …
by ADRIEN GUILLET
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Youri Telliug talks with the artist Adrien Guillet about his project Citracit
Youri Telliug - What is Citracit …
NARRATIONS OF FLIGHTS
by NIGIST GOYTOM
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In 2013 more than 45 million people have been forced to leave their homes. This amounts to the biggest number of refugees …
by NIGIST GOYTOM
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In 2013 more than 45 million people have been forced to leave their homes. This amounts to the biggest number of refugees …
A RUG - POST-ORIENTALISM
by SULAFA HIJAZI
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The on going debate on Arab identity and its (cultural) representation is strongly shaped by Edward Saidʼs formative …
by SULAFA HIJAZI
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The on going debate on Arab identity and its (cultural) representation is strongly shaped by Edward Saidʼs formative …
WAM _ WORLD AGRICULTURAL MUSEUM
by ASUNCION MOLINOS GORDO
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WAM is a site-specific work that uses the historical trope of the cabinet of curiosities to explore the introduction of …
by ASUNCION MOLINOS GORDO
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WAM is a site-specific work that uses the historical trope of the cabinet of curiosities to explore the introduction of …
MORE CONTRIBUTIONS BY THE FOLLOWING
A
[ Akram Al Halabi ]
B
[ Taysir Batniji ]
[ Hannes Brunner ]
[ Sarah Burger ]
C
D
[ Dector Dupuy ]
[ Erik Dettwiler ]
[ Ala’ Diab ]
E
[ Sherif El-Azma ]
[ Mohamed Elshahed ]
[ Fawzy Emrany ]
F
[ forget 2 forget ]
[ Abrie Fourie ]
[ Anselmo Fox ]
G
[ Lamya Gargash ]
[ A Gentil Carioca ]
[ Heiner Goebbels ]
[ Malak Gomaa ]
[ Nigist Goytom ]
[ Adrien Guillet ]
H
[ Inas Halabi ]
[ Here I Stand ]
[ Sulafa Hijazi ]
I
[ Saba Innab ]
K
[ Ulrike Kuschel ]
L
[ Gabriela Löffel ]
[ Heinrich Lüber ]
[ Christin Lahr ]
[ Mariann Landolt ]
[ Jason Larkin ]
[ Björn Larsson ]
[ Emanuel Licha ]
[ Marcelo Lima ]
M
[ Made In Musina ]
[ Laura Martin ]
[ moddr_ ]
[ Naeem Mohaiemen ]
N
[ Rayelle Niemann ]
O
P
[ Pilgrimages ]
• Silvia Popp •
R
[ Youssef Rakha ]
S
[ Raeda Saadeh ]
[ Lina Selander ]
[ Lerato Shadi ]
[ Bahia Shehab ]
[ stadt.labor ]
[ Syria _ files ]
T
[ Treibsand ]
U
[ urbaninform ]
V
[ Laurence Vale ]
[ Costa Vece ]
W
[ Lee Wen ]
Z
[ Margot Zanni ]
[ Michel Zayat ]