Lerato Shadi

“The prevailing theme in my current body of work deals with absence and presence, subject and object and their transformation through performance. I use elements such as concentration, breath, tension and duration to reflect this research in my oeuvre.
Knitting, installation, video and sound are some of the mediums I have used to record my current investigations.”

Lerato Shadi completed a BFA from the University of Johannesburg. She was ‘a featured artist’ in ART SOUTH AFRICA MAGAZINE in 2008, and she was included in the ‘Younger Than Jesus’ artists-directory published by the NEW MUSEUM, New York in 2009. From 2010 to 2012 Shadi was a member of the BAG FACTORY artist studios in Fordsburg, Johannesburg. She was awarded a PRO HELVETIA residency in Switzerland (Berne at PROGR) in 2010. In the same year she had her solo exhibition ‘Mosako Wa Seipone’ at GOETHE ON MAIN in Johannesburg. In 2012 her work was featured at the DAK’ART biennale in Senegal and in the III MOSCOW INTERNATIONAL BIENNALE. She is currently doing her MFA at the Kunsthochschule Berlin Weissensee.
 
Lerato Shadi
• CV •
Seipone
RELATED WEB SITES
→ Lerato Shadi’s web site
→ If A Tree... (show JHB)

FEATURED THEME ON CITY SHARING

EL MATAM EL MISH MASRY
by ASUNCION MOLINOS GORDO
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This project is an instrument for common critical analysis to help understand the reasons behind Egyptians’ diminishing …

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LETTERS TO FRITZ AND PAUL
by INAS HALABI
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The project Letters to Fritz and Paul focuses on the expeditions of the Swiss cousins, lovers and scientists, Fritz and …

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MODERN LEAVES
by SARAH BURGER
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The planned modern city of Brasilia attracted me since a long time. Her defined shape, location and function proceded he …

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CITRACIT
by ADRIEN GUILLET
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Youri Telliug talks with the artist Adrien Guillet about his project Citracit

Youri Telliug - What is Citracit …

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NARRATIONS OF FLIGHTS
by NIGIST GOYTOM
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In 2013 more than 45 million people have been forced to leave their homes. This amounts to the biggest number of refugees …

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A RUG - POST-ORIENTALISM
by SULAFA HIJAZI
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The on going debate on Arab identity and its (cultural) representation is strongly shaped by Edward Saidʼs formative …

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WAM _ WORLD AGRICULTURAL MUSEUM
by ASUNCION MOLINOS GORDO
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WAM is a site-specific work that uses the historical trope of the cabinet of curiosities to explore the introduction of …

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MORE CONTRIBUTIONS BY THE FOLLOWING

A
Akram Al Halabi ]
Atelier für Sonderaufgaben ]
B
Baggenstos/Rudolf ]
Basam Baroni and Jeremy Beaudry ]
Taysir Batniji ]
Hannes Brunner ]
Sarah Burger ]
C
Francisco Paco Carrascosa ]
D
Dector Dupuy ]
Erik Dettwiler ]
Ala’ Diab ]
Dlungwana & Gumbi ]
E
Egypt - 25th January ]
Sherif El-Azma ]
Shady El-Noshokaty ]
Mohamed Elshahed ]
Fawzy Emrany ]
F
forget 2 forget ]
Abrie Fourie ]
Anselmo Fox ]
G
Lamya Gargash ]
Gaza - scattered mosaic ]
A Gentil Carioca ]
Heiner Goebbels ]
Malak Gomaa ]
Nigist Goytom  ]
Adrien Guillet ]
H
Inas Halabi ]
Here I Stand ]
Sulafa Hijazi ]
I
Saba Innab ]
K
Ulrike Kuschel ]
L
Gabriela Löffel ]
Heinrich Lüber ]
Christin Lahr ]
Mariann Landolt ]
Jason Larkin ]
Björn Larsson ]
Yasser Abdel Latif ]
Emanuel Licha ]
Marcelo Lima ]
M
Made In Musina ]
Laura Martin ]
moddr_ ]
Naeem Mohaiemen ]
Asuncion Molinos Gordo ]
N
Mimi Cherono Ng’ok ]
Rayelle Niemann ]
Thenjiwe Niki Nkosi ]
No Condition is Permanent ]
O
Wouter Osterholt and Elke Uitentuis ]
P
Pilgrimages ]
Silvia Popp ]
R
Youssef Rakha ]
S
Raeda Saadeh ]
Lina Selander ]
• Lerato Shadi •
Bahia Shehab ]
stadt.labor ]
Vassiliea Stylianidou ]
Syria _ files ]
T
Treibsand ]
U
urbaninform ]
V
Laurence Vale ]
Costa Vece ]
W
Lee Wen ]
Z
Margot Zanni ]
Michel Zayat ]

 

INVITED-PROJECTS